In 1751 Pietro Longhi painted this portrait of the rhinoceros, Clara, brought to the Venice Carneval that year. He depicted the animal eating quietly, indifferent to its owner (carrying the horn which had rubbed off) and to the masked and other spectators in the casotto behind it. Nearly three centuries later the rhinoceros returns to Venice in the form of a symposium, Beauty and the Beast: Venice and the Rhino, on 24 November and an accompanying exhibition, Rhinoceros: Luxury’s Fragile Frontier, 24 November – 21 December, both at the Palazzo Contarini Polignac. The exhibition title reveals the central theme. Both Venice and the rhinoceros are now luxury objects and both are threatened by the desire they evoke. The symposium brings together artists, conservationists, poets, writers, and historians to explore the unexpected intersections between these two endangered objects of luxury consumption. The exhibition presents the works of two artists concerned about issues of fragility and identity in relation to their personal and wider worlds and that of the rhinoceros. Their sculptural creations will be framed against the background of a ‘demand reduction’ marketing campaign which targets the consumption of rhino horn.