Welcome to ACIS, the Australasian Centre for Italian Studies – a connection-point for the specialised communities of Italianist scholars in Australasia and beyond.
The philosopher Remo Bodei will be giving two talks in Melbourne in early March. Time, eternity, history: Dante, Petrarch, Machiavelli is the title of his talk (in English) at the Italian Cultural Institute, 233 Domain Rd, South Yarra, on Thursday 9 March at 6.30pm (free, booking essential). On Friday March 10, at Co.As.It. – Museo Italiano, 199 Faraday Street, Carlton, he will be talking (in Italian) on Pirandello e la dissoluzione della personalità (free, booking essential). This is the first of three events held at Co.As.It. – Museo Italiano to mark the 150th anniversary of Pirandello’s birth. For details of the contents of the talks Continue reading
Istituito nel 2004 il Giorno del ricordo del 10 febbraio, data del trattato di pace del 1947 che assegnò all’allora Jugoslavia l’Istria e la maggior parte della Venezia Giulia, vuole conservare ‘la memoria della tragedia degli italiani e di tutte le vittime delle foibe, dell’esodo dalle loro terre degli istriani, fiumani e dalmati nel secondo dopoguerra e della più complessa vicenda del confine orientale’. In cosa consiste la ‘più complessa vicenda’? Per la rivista Internazionale il collettivo Nicoletta Bourbaki ha chiesto a sette storici di rispondere alla domanda; le loro risposte, affrontando gli aspetti storici, sociali e politici dei conflitti e delle loro memorializzazioni, si trovano qui.
In Terra Nostra the Palermo-born photographer Mimi Mollica explores the effects of the mafia on Sicily, documenting the damage it has inflicted on the physical and social landscape of the island and painting a dark picture of extortion, corruption and claustrophobia. The view is bleak, seedy and haunting, the violence itself mostly off-stage but its consequences, direct and indirect, all too visible. Mollica’s photo-essay is introduced by one of the island’s most active anti-mafia magistrates, Roberto Scarpinato.
This is the title of the current exhibition at the newly renovated Estorick Collection of Modern Italian Art in Highbury, London. The Collection, opened in 1998, concentrates on Futurist paintings (Giacomo Balla, Umberto Boccioni, Carlo Carrà) and works by Giorgio De Chirico, Amedeo Modigliani, Giorgio Morandi and Mario Sironi. ‘War in the Sunshine‘ (13 Jan – 19 March) covers the largely forgotten British participation in the final stages of the war on one of its most difficult and dangerous fronts – North East Italy – depicted by official war artists (Sidney Carline, himself a pilot) and photographers (Ernest Brooks and William Brunell).
That’s a reviewer’s comment on the way the people captured in Martin Bogren’s recent Italia (Max Ström 2016) look. The Swedish photographer spent three years in Naples, Palermo, Bologna and Turin to produce a black-and-white portrayal of streets and subjects which seem suspended in time. ‘Been wandering around for days now. Street after street. With a heavy heart and loneliness as a constant companion. I’ve forgotten why I’m here and what I’m doing. A camera clutched in my hand, increasingly fearful, with a cowardly posture’. You can see the striking results of this apparently forlorn enterprise here.
Brigitta Olubas University of New South Wales
Shirley Hazzard was an author admired for the self-reflectiveness, delicacy of phrasing, wit and irony, intensely personal resonance and finely realised sense of place which characterised both her fictional and non-fictional writings. Italy played a fundamental part in her life and work. Her first year there, 1956, was spent in Tuscany where she established a close friendship with the Vivante family, artists, philosophers and writers, and developed the penetrating eye into social relationships of love and loss analysed in her novels set in Italy and elsewhere. She returned regularly to Naples and to Capri for the rest of her life and was made an honorary citizen of Capri in 2000. She often underlined her debt to Italy: “From the first day (in Naples), everything changed. I was restored to life and power and thought.” The point was never simply personal but rather bound to the persistence of humanist art and thought there: “In Italy, the mysteries remain important: the accidental quality of existence, the poetry of memory, the impassioned life that is animated by awareness of eventual death. There is still synthesis, rather than formula. There is still expressive language.” Continue reading
The 2016 issue of Gender/sexuality/Italy, an annual peer-reviewed journal which publishes research on gendered identities and the ways they intersect with and produce Italian politics, culture and society, is devoted to the question of language and gender. The editor, Nicoletta Marini-Maio, sets in a historical and linguistic context the issues raised by how to address the minister Maria Elena Boschi and the mayor of Rome Virginia Raggi. Other contributions include an analysis of the ways violence against women is presented in the media, the importance of gender, age and immediate context in determining variations between male and female language use, and a review of Over the Rainbow City. Towards a New LGBT Citizenship in Italy (2015) edited by Fabio Corbisiero.
The Fondazione Cini has issued a call for applications for two kinds of scholarship for research in Venice to be taken up between May 2017 and May 2018. The first is a 3-month residential scholarship for postdoctoral students aged under 40 (3 available, worth €6250 each), offered by the Vittore Branca International Centre for the Study of Italian Culture. The second is a 3-month residential scholarship (2 available, worth €6250 each) for PhD or postdoctoral students who are the children or grandchildren of Italian emigrants. In both cases the research projects must make use of the archives and materials held at the Foundation. Further details of the scholarships and the application procedure can be found via the links above. The deadline for application for both scholarships is 10 March 2017.
Edda Orlandi Università degli Studi di Milano
Qui in Milanesia ci si appresta a celebrare le tradizionali festività del reciproco scambio rituale di panettoni (Orlandi 2012), conosciuto nella letteratura come il Circuito Kula Natalizio. Come ogni anno, fervono i preparativi della tradizionale competizione per diventare la famiglia che riesce a rifilare più lievitati, arrivando al contempo a rimanere dopo Capodanno con un solo panettone (non uno di più, ma neanche senza panettoni, cfr. Orlandi 2014). Pur costatando un sostanziale rispetto delle tradizioni secolari già descritte da numerosi antropologi, durante il mio attuale soggiorno in Milanesia ho potuto notare alcune innovazioni, che rendono conto dei processi di globalizzazione che hanno recentemente investito anche queste terre remote.
ACIS congratulates the three winners of the ACIS Cassamarca scholarships for postgraduate research in Italy in 2017. Paola Di Trocchio (University of Technology Sydney) has been awarded the Dino De Poli Scholarship for her project, Reading fashion in the museum through a case study of Anna Piaggi, Walking Museum, which investigates the life and work of Anna Piaggi (1931-2012), journalist, stylist and Vogue Italia contributor, and her impact on fashion culture and the museum. Anna Piaggi was a major figure in design and fashion history in Italy and beyond. In The Machine and the Arch Shayani Fernando (University of Sydney) will examine traditional stone architecture in Italy, seeking to learn from past masonry structures to build for the future, expanding our knowledge to improve the maintenance and restoration of sandstone buildings in Australia. She will investigate dry stone construction techniques in Alberobello and take up a position as scholar-in-residence in Bari. The project of Julie Robarts (University of Melbourne), The poetry and the person of Margherita Costa, is a study of the early published poetry and Lettere amorose of Roman virtuosa singer, Margherita Costa (c1600-1664). It will be the first philological study of Costa’s poetry, and the first cultural-historical study of her authorship.