Welcome to ACIS, the Australasian Centre for Italian Studies – a connection-point for the specialised communities of Italianist scholars in Australasia and beyond.
The Hellenic Museum and Co.As.It. Museo Italiano will launch The Greeks of Venice, 1498‒1600: Immigration, Settlement, and Integration by Ersie C. Burke with a presentation by Carolyn James (Monash University) on Thursday 10 August 2017 at 6.30pm, Co.As.It. Museo Italiano, 199 Faraday Street, Carlton (free event; RSVP here). Burke traces the history of Venice’s Greek population during the formative years between 1498 and 1600 when thousands left their homelands for Venice. She describes how Greeks established new communal and social networks, making the transition from outsiders to insiders (though not quite Venetians) in the context of multi-cultural, multi-ethnic, and multi-lingual Venice. This reconstruction of the history of the largest Christian ethnic minority in early modern Venice is interwoven with individual stories drawn from a great variety of sources – notarial documents, petitions, government and church records, registries of marriages and deaths, and census data – held in Venetian church and state archives and in the Hellenic Institute of Venice.
The University of Sydney Postgraduate History Conference is calling for paper proposals for the upcoming ‘The Past and the Curious: Re(viewing) History ‘ symposium, to be held on 30 November – 1 December 2017 in the Quadrangle at the University of Sydney. We welcome abstracts from honours students, postgraduates and early-career researchers involved in history, although they may take an interdisciplinary approach. Applicants from other states and universities are also encouraged to apply. Abstracts should be no more than 200 words accompanied by a 100 word bio, and are to be submitted via our website: a list of possible themes can be found there. The deadline for submissions is by close of business on 1 August 2017. Some funds are available for travel bursaries for honours and Masters students travelling from outside the Sydney area. We also warmly welcome those who simply wish to attend but ask that you go to the website and register for catering purposes. There is no registration fee. All inquiries here.
Gino Moliterno ANU
Peter Bondanella, Distinguished Professor Emeritus of Comparative Literature, Film Studies and Italian at Indiana University, died on 28 May. In an academic career spanning more than four decades Bondanella’s contribution to Italian Studies was extraordinary; the falling silent of his voice will be very sad news for all Italianists in the English-speaking world, especially those interested in cinema. His generosity of spirit, the depth and breadth of scholarship, love of Italian cinema, sardonic sense of humour, and determination always to contribute to the valorisation of Italian culture will be greatly missed. Federico Fellini perhaps summed up Peter’s style best when, in the foreword he contributed to The Cinema of Federico Fellini (1992), he wrote: ‘The most exciting aspect of Bondanella’s work is, in fact, his inextinguishable faith in the power of reason and systematization which reminds us in a nostalgic way of methods and choices inspired by respect and harmony’. Continue reading
ACIS is very pleased to announce that the Jo-Anne Duggan Prize 2017 has been awarded to Monique Webber (University of Melbourne) for her essay ‘”In Search of Universal Icons”: Interrogating the Superstar Phenomenon of Early Modern Art through the Photography of Jo-Anne Duggan’. It shows how Jo-Anne Duggan’s photographs – notably those in her exhibitions Before the Museum (2000-2002), Impossible Gaze (2002-2005), and Wondrous Possessions (2010) – explore the impact of the passage of time on the works of forgotten masters and the way we now reflect on them. The essay reveals how Jo-Anne’s approach to Renaissance artworks uncovers the complex marks of superstar culture, the dominant form of our contemporary engagement with art and often regarded as a distinctive symptom of the modern age. We are also very pleased to give the Highly Commended award to Laelie Greenwood (Monash University) for her essay ‘Private Memory, Public Spaces: An Examination of Memory and Monument within Italian Immigrant Experience in Carlton’. She analyses the architecture of Malbourne’s Carlton area, using Jo-Anne Duggan’s writings to explore the ways in which Italian-Australians developed a distinctive architectural style in their house facades and renovations to convey their enduring links to the country they had left.
The programme for the ACIS 9th Biennial Conference, Scontri e incontri: The dynamics of Italian transcultural exchanges, to be held at the Monash Centre in Prato, 4-7 July 2017, is now available here and via our Conferences menu. Further details – location, keynote speakers, accommodation in Prato – are available via the Conference home page on the Monash University site.
Oggi è il giorno per ricordare due persone molto diverse uccise il 9 maggio del 1978: Aldo Moro, ucciso dalle BR; Peppino Impastato, dalla mafia. Sulla vita e sulla morte di Moro è stato scritto moltissimo; un utile riassunto del dibattito nazionale e internazionale sulla natura e sulle cause della violenza politica che l’ha ucciso è di Giovanni Mario Ceci, Il terrorismo italiano. Storia di un dibattito (Carocci, 2013). Gli scritti sulla mafia, meglio sulle mafie, sono ovviamente molto più numerosi. Adesso, su La Repubblica, c’è un blog, Mafie, a cura di Attilio Bolzoni, che oggi apre con una lettera di Tina Montinaro al marito, caposcorta di Giovanni Falcone e ucciso con lui 25 anni fa nella strage di Capaci. In questi ultimi anni il dibattito sulle mafie si è ampliato in seguito all’inchiesta ‘Mafia Capitale’ a Roma, dove i problemi della definizione e dell’evoluzione del fenomeno sono diventati di nuovo centrali. Questi temi sono analizzati con dovizia di dettagli nei dieci contributi all’ultimo fascicolo della rivista Meridiana (87, 2016) intitolato ‘Mafia Capitale’.
ASIO and Italian ‘Persons of Interest’. A History of Sydney’s Federation of Italian Migrants and their Families (FILEF) (Connor Court, 2017) will be the topic of a discussion with its author, Gianfranco Cresciani, at the Co.As.It. Museo Italiano, 199 Faraday Street, Melbourne, on Wednesday 17 May 2017, 6.30pm (booking free here). When an organisation was an ‘ethnic’ one, drawing support, ideas and inspiration from its foreign mentor, claims of sedition, treason, subversion and of being un-Australian were levelled at it without hard evidence, justified only by the abysmal ignorance of the motivations, aspirations and actual policies pursued by the organisation. In the case of the Federation of Italian Migrants and their Families (FILEF) in Sydney, its members were spied upon by the Australian Security Intelligence Organisation (ASIO), ostracised by a large part of the Italian migrant community and its media, embarrassingly acknowledged by Italian diplomatic and consular representatives, fearful of losing their jobs because of their political beliefs, demonised by the Australian Establishment as the Trojan Horse of Italian communism. After forty years of militancy, time has come to record FILEF’s journey through Australian and migrant politics, welfare, arts, education and union activities.
BEYOND BORDERS. Transnational Italy/OLTRE I CONFINI. Italia Transnazionale, an exhibition curated by Viviana Gravano and Giulia Grechi, will open at the Co.As.It Museo Italiano, 199 Faraday Street, Melbourne, on Thursday 4 May 2017 at 6.30pm (free, registration here). It will be introduced by Loredana Polezzi (Cardiff University) and Rita Wilson (Monash University), with a performance by Luci Callipari-Marcuzzo. The exhibition is part of TML – Transnationalizing Modern Languages. Mobility, Identity and Translation in Modern Italian Cultures, a major international research project which includes collaborations with the Istituto Italiano di Cultura (London), J. Calandra Institute in New York, Co.As.It Melbourne and other partners. The project looks at the Italian communities established in the UK, the US, Australia, South America, Africa and at the migrant communities of contemporary Italy. After Rome, London and New York, the adapted version of the exhibition will be open at the Museo Italiano from 4-27 May, accompanied by a photographic project, Italy is Out, by Mario Badagliacca who has worked as artist in residence for the project in London, New York and Buenos Aires.