Religion in cinema and television

Clodagh Brook’s latest work, Screening Religions in Italy (2019), tackles a little-explored area: the role of Catholicism (but also of other religions) in the organisation, production and distribution of Italian film and television. Pollard (2008) and Garelli (2014), for example, have provided valuable summaries of what we know about the patterns of Italian religious belief and participation, electoral influence, relations between church and state, and so on, often considering in what respects Italy is becoming more religiously differentiated or perhaps even secular. But Brook tackles the detailed ways in which Catholicism – its icons, rituals and policies – has shaped the form and content of film-making in recent years, tracking its embedding across the public sphere and concluding that, surprisingly, its hold over the production and distribution of films has actually been strengthening since the 1990s.

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