Blog Layout

A midsummer night’s dream

David Moss • Aug 08, 2013

David Moss   ANU

The Visible Earth (NASA)

‘[A] diversity of ways of life which are deeply embedded in the past and of which the much-advertised political differences are but the outward and visible sign. That was the true anarchy that beset the country … it was not primarily an anarchy of violence in the streets, of contempt for law and order such as to make the [country] ungovernable. It was rather an anarchy of the mind and in the heart, an anarchy which .. sprang from the collision .. of seemingly irreconcilable cultures, unable to live together or to live apart, caught inextricably in the web of their tragic history’.  That sounds like a perceptive description of some of the roots of political and social conflict in modern Italy, that country of ‘passionate intensity and fragile structures’ as Aldo Moro described it in his last speech.

Perhaps it does but it isn’t. It’s a (lightly edited) quotation from F.S.L.Lyons’ classic analysis of Irish life, Culture and Anarchy in Ireland (1890-1939 ). Coming across it recently in Roy Foster’s account of the making of his Ford Lectures in 2012 made me think how much interesting and imaginative comparative work on Italy can be done. The introverted default position, in the mass media and in the academy, seems to be that the country is by historical and political definition an anomaly, uniquely engaged in perpetual but unconvinced and unavailing efforts to become ‘normal’.  But any country is of course anomalous by comparison with somewhere else – selective choice of comparators, from Albania to  Zimbabwe, can make anywhere look either pretty odd or utterly normal.

Take politics. Berlusconi might look anomalous with regard to contemporary western European leaders, even if to encounter leaders who share much of his approach to the relations between law and politics and between friend and foe we don’t have to go far back in time before we meet Mussolini, Franco and Salazar, or travel far to the east today before Lukashenko, Orban and Putin greet us. His techniques for gaining and retaining power would also look perfectly normal to, say, the Big Men of Pacific politics. Building up a following by gifts and exchanges, rewarding loyal acolytes, detaching men from opposing groups, persuading through the power of oratory (sc. relentless deployment of press and tv) – all this would be entirely familiar to successful and renowned leaders across the Pacific, although they would rightly regard Berlusconi’s oratorical abilities as far inferior to their own. (Berlusconi is surely closer in style to Liberace – watch Soderbergh’s  Behind the Candelabra – than to anyone with pretensions to serious political leadership. Including politics among the means used to protect la roba is something different). The clash of frames of reference produces creativity, wit and discovery. So – here’s where that dream kicks in – why not increase our small stock of far-flung comparisons, complement the valuable but limited measuring of statistical differences between Italy and other EU states on welfare expenditure, employment rates, public opinion and so on, and see what the help of unfamiliar and hitherto untested guides can reveal to us about the culture and society of  il Belpaese ?

04 Mar, 2024
Open until 14 April 2024, the exhibition Emerging From Darkness: Faith, Emotion and The Body in the Baroque is presented at Victoria's Hamilton Gallery (on the unceded lands of the Eastern Maar and Gunditjmara peoples), in partnership with the National Gallery of Victoria (NGV). Unprecedented, and monumental in scope, Emerging From Darkness brings together an exceptional group of works from public and private collections in Australia. It was curated by Associate Professor David R. Marshall , Principal Fellow in Art History at the University of Melbourne, Dr Lisa Beaven , Adjunct Senior Research at La Trobe University, and Laurie Benson , Senior Curator of International Art at the NGV. Here two curators explain some of the project’s background and aims.
27 Oct, 2023
In Italy this year there has been no shortage of Manzoni celebrations, particularly in Milan . And in Australasia? Dr Stefano Bona , Lecturer in Italian Studies at Flinders University, Adelaide, on the lands of the Kauna nation, has lately been involved in creating a ‘special miniseries’ of radio programmes about Alessandro Manzoni. Now available for listening on demand are two longform interviews with Stefano Pratola at Radio Italiana 531 AM. Here Stefano Bona shares some background to this podcast project.
14 Sep, 2023
Announcing, with great pleasure, the winners of the 2023 ACIS Publication Prize for an established scholar, and the 2023 Jo-Anne Duggan Prize. ACIS awards both prizes every two years . In this case, each winning publication addresses the theme of mobility – a fast-evolving direction in Italian Studies research – and each brings forward a topic with clear contemporary significance.
04 Sep, 2023
The 12th Biennial Conference of the Australasian Centre for Italian Studies will be held at the Australian National University (ANU), Canberra, Ngunnawal and Ngambri Country, from Wednesday 3 July to Saturday 6 July 2024. The conference theme is ‘Italian Studies for Global Challenges: Transdisciplinary Conversations’.
24 Aug, 2023
Open to postgraduate and early career researchers, since 2018 the ACIS Save Venice Fellowship programme has been enlivening close links between Australasia and the city of Venice. Fellowship applications were suspended in 2022, for pandemic-related reasons. So it is a special pleasure to announce that Brigette De Poi has been awarded an ACIS Save Venice Fellowship for 2023. Already living in Venice to focus on her PhD project, Brigette shares some first reflections on her contact with Save Venice thus far.
08 Aug, 2023
Which memories are allowed to circulate in a particular culture – and which are relegated or silenced? What political logic is at play when a certain way of remembering is spelt out, even imposed? Matthew Topp was awarded an ACIS Postgraduate Scholarship in 2020, to source archival records for his doctoral thesis, which has the working title ‘ Ars Oblivionalis : A Study of Cultural Forgetting in Renaissance Italy’. Now returned from fieldwork, he shares a brief account of his PhD project and travels.
By Catherine Kovesi 02 Apr, 2023
Two promising early career scholars – Lauren Murphy and Julia Pelosi-Thorpe – were the recipients of ACIS Save Venice Fellowships. Delayed due to COVID travel restrictions, they were finally able to access their Fellowships in 2022. Here they both reflect on their time in Venice and the benefits of the Fellowship to their respective research projects.
By Catherine Kovesi 29 Mar, 2023
ACIS is delighted to announce that Professor Andrea Rizzi has been appointed the new Chair of the Australasian Centre for Italian Studies. He leads a renewed Management Committee with several new appointees who start their terms of office this year.
By Catherine Kovesi 30 Jan, 2023
After a hiatus of three years due to travel restrictions, ACIS is delighted once again to be able to offer its Postgraduate Scholarships for Research in Italy. Two promising postgraduate students have been awarded scholarships in the current round: Brigette De Poi and Laura Di Blasi.
Show More
Share by: