In Terra Nostra
the Palermo-born photographer Mimi Mollica
explores the effects of the mafia on Sicily, documenting the damage it has inflicted on the physical and social landscape of the island and painting a dark picture of extortion, corruption and claustrophobia. The view is bleak, seedy and haunting, the violence itself mostly off-stage but its consequences, direct and indirect, all too visible. Mollica’s photo-essay is introduced by one of the island’s most active anti-mafia magistrates, Roberto Scarpinato.