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A tale of two journeys: the composition and publication of the Codice Rustici
David Moss • October 28, 2016
In 1450 or thereabouts a Florentine goldsmith, Matteo di Bartolomeo Rustici
, began to write down the story of a perhaps imaginary journey to the Holy Land a decade earlier. He relied heavily on his favourite readings, copying and abridging them, illustrating his accounts of places and events with detailed watercolours, frequently digressing from his main storyline to include instructions on Christian doctrine for pilgrims, potted biographies of saints, tales associated with the places visited, recommendations of cures for tarantula bites …. the result, in the words of Kathleen Olive and Nerida Newbigin, editors of the critical edition
of the Codice Rustici
, recently published (Olschki 2016) with a facsimile of the original and collection of essays, ‘resembling the worst kind of research uncritically cobbled together from internet sources’. The beautifully illustrated story of the text’s survival and its own journey towards publication is told by the editors here.
Open until 14 April 2024, the exhibition Emerging From Darkness: Faith, Emotion and The Body in the Baroque is presented at Victoria's Hamilton Gallery (on the unceded lands of the Eastern Maar and Gunditjmara peoples), in partnership with the National Gallery of Victoria (NGV). Unprecedented, and monumental in scope, Emerging From Darkness brings together an exceptional group of works from public and private collections in Australia. It was curated by Associate Professor David R. Marshall , Principal Fellow in Art History at the University of Melbourne, Dr Lisa Beaven , Adjunct Senior Research at La Trobe University, and Laurie Benson , Senior Curator of International Art at the NGV. Here two curators explain some of the project’s background and aims.
In Italy this year there has been no shortage of Manzoni celebrations, particularly in Milan . And in Australasia? Dr Stefano Bona , Lecturer in Italian Studies at Flinders University, Adelaide, on the lands of the Kauna nation, has lately been involved in creating a ‘special miniseries’ of radio programmes about Alessandro Manzoni. Now available for listening on demand are two longform interviews with Stefano Pratola at Radio Italiana 531 AM. Here Stefano Bona shares some background to this podcast project.
Announcing, with great pleasure, the winners of the 2023 ACIS Publication Prize for an established scholar, and the 2023 Jo-Anne Duggan Prize. ACIS awards both prizes every two years . In this case, each winning publication addresses the theme of mobility – a fast-evolving direction in Italian Studies research – and each brings forward a topic with clear contemporary significance.
The 12th Biennial Conference of the Australasian Centre for Italian Studies will be held at the Australian National University (ANU), Canberra, Ngunnawal and Ngambri Country, from Wednesday 3 July to Saturday 6 July 2024. The conference theme is ‘Italian Studies for Global Challenges: Transdisciplinary Conversations’.
Open to postgraduate and early career researchers, since 2018 the ACIS Save Venice Fellowship programme has been enlivening close links between Australasia and the city of Venice. Fellowship applications were suspended in 2022, for pandemic-related reasons. So it is a special pleasure to announce that Brigette De Poi has been awarded an ACIS Save Venice Fellowship for 2023. Already living in Venice to focus on her PhD project, Brigette shares some first reflections on her contact with Save Venice thus far.
Which memories are allowed to circulate in a particular culture – and which are relegated or silenced? What political logic is at play when a certain way of remembering is spelt out, even imposed? Matthew Topp was awarded an ACIS Postgraduate Scholarship in 2020, to source archival records for his doctoral thesis, which has the working title ‘ Ars Oblivionalis : A Study of Cultural Forgetting in Renaissance Italy’. Now returned from fieldwork, he shares a brief account of his PhD project and travels.
Two promising early career scholars – Lauren Murphy and Julia Pelosi-Thorpe – were the recipients of ACIS Save Venice Fellowships. Delayed due to COVID travel restrictions, they were finally able to access their Fellowships in 2022. Here they both reflect on their time in Venice and the benefits of the Fellowship to their respective research projects.
ACIS is delighted to announce that Professor Andrea Rizzi has been appointed the new Chair of the Australasian Centre for Italian Studies. He leads a renewed Management Committee with several new appointees who start their terms of office this year.
After a hiatus of three years due to travel restrictions, ACIS is delighted once again to be able to offer its Postgraduate Scholarships for Research in Italy. Two promising postgraduate students have been awarded scholarships in the current round: Brigette De Poi and Laura Di Blasi.