Tag Archives: violence

Violence in the borderlands

Defined as ‘borderlands’ by Tracey Banivanua Mar, the sugar towns of North Queensland in the late nineteenth and early twentieth centuries hosted a great variety of ethnic groups: Chinese, Indian, Japanese, ‘Malay’, Pacific Islander and later South European. Violence between members of different groups was common. In ‘Beyond whiteness: violence and belonging in the borderlands of North Queensland’ (Postcolonial Studies, February 2020, online ahead of publication) Maria Elena Indelicato examines the case of three South Sea Islanders attacking an Italian farmer in the city of Ingham in 1927. The motive behind that particular attack remains unknown. Indelicato treats it not as a random episode but as a sign of the way in which migrants were involved in the subjection of ‘natives’ and South Sea Islanders. Violence can thus be seen as a claim to belonging by migrants, Italian or not, and as a technology used by settlers to manage ‘undesired’ populations.

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Indelible/Indelebile Conference in Adelaide: associated events

The VPS Research Group has organised a number of free Italian events/performances open to the public and linked to its international interdisciplinary conference Indelible (Eng) / Indelebile (It) – Representation in the arts of (in)visible violence against women and their resistance, to be held at Flinders University at Victoria Square, Adelaide, on 23-25 October 2019. The links to the various options can be found on the conference webpage under ‘Visual and Performing Arts Events’. All events are part of La Settimana della Lingua Italiana nel Mondo/The Italian Language Week in the World and there is also another free performance (in Italian): Affabulazioni. Storie, fatti e fattacci, narrati da un Giullare pazzo e una Musicista con la testa fra le nuvole (in Italian). This performance is organised by the Italian Consulate in Adelaide at UniSA at 6.30pm on 23 October. Book online here through the eventbrite website which has details of the location.

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Women and violence in Italian literature

The journal Spunti e Ricerche has published Women and Violence in Italian Literature (2018, vol.33), a special issue edited by Gregoria Manzin and Barbara Pezzotti. The nine contributions draw on examples mainly from 20th century novelists (Maraini, Albinati, Patti) but include discussions of a play (Dacia Maraini’s Passi affrettati) and poetry (the works of Margherita Guidacci). Also addressed is the place of gender violence in Federico De Roberto’s novels (I Viceré, L’imperio, Ermanno Raeli)  the portrayal of violence in religious schools in colonial Somalia by postcolonial Italo-Somali authors (Scego, Ali Farah), and  the representation of female characters in the crime fiction series by Scerbanenco, Lucarelli, and Verasani. Although the contributors don’t neglect the socio-political context of the works they analyse, their primary emphasis is mostly on the texts themselves – the narrative strategies employed, the embedding of violence in the relations between male and female protagonists, the ways in which the representations of particular acts – the delitto del Circeo, the bombing of Bologna railway station – depict the general role violence plays in everyday life. Overall, the discussions contain valuable insights into the descriptive and often deceptive powers of Italian fiction; they also push us to understand the implications – and perhaps the consequences – of literary treatments of violence better than we have been able to grasp so far.

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Il plotone perduto: il 26 marzo 1944

Il 26 marzo del 1944, settantacinque anni fa, quindici soldati italoamericani furono trucidati dai nazisti ad Ameglia in Liguria dopo il fallimento di una missione di sabotaggio. Un episodio quasi trascurato dagli storici: e i quindici soldati sono ricordati solo da una lapide in un borgo remoto. Il 26 marzo, al Centro Studi Americani di Roma (via Caetani 32), si è tenuto un convegno con dibattito e approfondimento della storia del “plotone perduto” con interventi dello storico Massimo Teodori, il Procuratore generale della Corte militare d’appello, Marco De Paolis, il vicedirettore di Repubblica, Gianluca Di Feo, il vicedirettore di Rai Cultura, Giuseppe Giannotti, e il presidente della Oss Society, Charles Pinck. La Repubblica (Rep) ha raccontato il massacro, con una versione anche in inglese.

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INDELIBLE / INDELEBILE – NEW DEADLINE OF THE CALL FOR PAPERS

The new deadline for the submission of paper proposals to the international Interdisciplinary conference, INDELIBLE / INDELEBILE  – Representation in the arts of (in)visible violence against women and their resistance, supported by ACIS on 23-25 October 2019 at Flinders University in Adelaide (South Australia), is 30 March 2019 (details for submissions below). Our interdisciplinary conference aims to contribute to the ‘glocal’ conversation on the topic of gendered violence and at the same time raise awareness of the global extent of the problem by analysing ways in which both such violence and resistance to it are represented in the arts. While a key strand of the conference will concern the arts in contemporary Italy, its scope will be broad, encouraging comparison with other societies across space and time. Keynote speakers will be Dacia Maraini (accompanied by a performance of her Passi affrettati) and Sarah Wendt. We welcome papers engaging with any of the following (and associated) topics, in relation to poetry, literature, theatre, opera, music, cinema or other visual arts: Continue reading

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‘An Eye on Italy’: analysing Italian visual culture

A selection of papers from a conference in Adelaide in late 2016, An Eye on Italy: Continuities and transformations in Italian visual culture, has just been published in the online journal FULGOR (vol.5, no.3, June 2018). As the editors (Luciana d’Arcangeli, Sally Hill and Claire Kennedy) note, the theme of violence recurs in most of the papers: Claudia Bernardi’s analysis of Fernando Di Leo’s adaptation of Scerbanenco’s I ragazzi del massacro (1968); Luciana d’Arcangeli’s examination of the place of women in Matteo Garrone’s noir films; Brigid Maher’s exploration of the representation in the film and comic-book versions of Massimo Carlotto’s Arrivederci amore, ciao; and Barbara Pezzotti’s comparison of the film and tv versions of Giancarlo De Cataldo’s Romanzo criminale (2002), focusing on the representation of the Bologna station massacre of 1980. The issue, all of which is directly accessible, is completed by Sally Hill’s consideration of the relation between maternity and disability in recent Italian films and by a short interview with De Cataldo.

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Women, terrorism and trauma in Italian culture

Ruth Glynn   University of Bristol

Women’s participation in terrorist activity in Italy provides fertile terrain for scholars interested in issues of cultural, political and socio-psychological importance in contemporary Italy. women-terrorism-and-trauma-in-italian-cultureMy own fascination with the topic goes back to the re-emergence of domestic terrorism in Italy at the turn of the millennium and especially to the year 2003, which saw the arrest and unveiling of Nadia Lioce as leader of the ‘New Red Brigades’ and mastermind behind the organization’s killing of government consultants Massimo D’Antona in 1999 and Marco Biagi in 2002. 2003 also witnessed the 25th anniversary of the 1978 kidnapping and murder of Christian Democrat party president, Aldo Moro, and the release of two important films exploring the phenomenon of terrorism through the eyes and experience of a female protagonist: Marco Bellocchio’s Buongiorno, notte and Marco Tullio Giordana’s La meglio gioventù. Continue reading

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La legge è uguale per tutti…or is it?

Catherine Williams   La Trobe University

Upon hearing that Italy’s Constitutional Court has today released the reasons for its decision on the conflict between the powers of the President and the powers of Palermo’s Office of Public Prosecutions, the first thing that came to my mind was that comforting phrase inscribed on all Italian courts of law: ‘la legge è uguale per tutti’ (a maxim of such importance it is even given a constitutional guarantee in Article 3 of the Italian Constitution).

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The trattativa Stato-mafia: an introduction

Catherine Williams   La Trobe University

In the blistering Sicilian sun I sit, together with hundreds of students, awaiting the arrival of Antonio Ingroia who this morning* will participate in a public conversation as part of the Festival della Legalità (a week-long event held annually in Palermo). Behind me a group of boys scans the piazza and the palazzi towering above it for would-be assassins, keen to protect a man who has become, for many, a national hero.

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Una su tre

Luciana d’Arcangeli   Flinders University

Eccoci, è arrivato il grande momento: la “prima” (si dirà così anche nel digitale?) di questi post sul cinema e teatro italiano a cura di yours truly Down Under. Cosa troverete qui? Discussioni, spunti e segnalazioni interessanti (spero) ma sta anche a voi partecipare per rendere il tutto più  stimolante e, perché no, utile.

Il 25 novembre è la data designata dall’ONU come Giornata Internazionale per l’eliminazione della violenza sulle donne, ecco quindi trovato l’oggetto del nostro primo “incontro”.

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