Tag Archives: Venice

The Greeks in Venice, 1498‒1600

The Hellenic Museum and Co.As.It. Museo Italiano will launch The Greeks of Venice, 1498‒1600: Immigration, Settlement, and Integration by Ersie C. Burke with a presentation by Carolyn James (Monash University) on Thursday 10 August 2017 at 6.30pm, Co.As.It. Museo Italiano, 199 Faraday Street, Carlton (free event; RSVP here). Burke traces the history of Venice’s Greek population during the formative years between 1498 and 1600 when thousands left their homelands for Venice. She describes how Greeks established new communal and social networks, making the transition from outsiders to insiders (though not quite Venetians) in the context of multi-cultural, multi-ethnic, and multi-lingual Venice. This reconstruction of the history of the largest Christian ethnic minority in early modern Venice is interwoven with individual stories drawn from a great variety of sources – notarial documents, petitions, gov­ernment and church records, registries of marriages and deaths, and census data – held in Vene­tian church and state archives and in the Hellenic Institute of Venice.

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Scholarships for research in Venice

logo_ciniThe Fondazione Cini has issued a call for applications for two kinds of scholarship for research in Venice to be taken up between May 2017 and May 2018. The first is a 3-month residential scholarship for postdoctoral students aged under 40 (3 available, worth €6250 each), offered by the Vittore Branca International Centre for the Study of Italian Culture. The second is a 3-month residential scholarship (2 available, worth €6250 each) for PhD or postdoctoral students who are the children or grandchildren of Italian emigrants. In both cases the research projects must make use of the archives and materials held at the Foundation. Further details of the scholarships and the application procedure can be found via the links above.  The deadline for application for both scholarships is 10 March 2017.

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Places of the Italian Fantastic: cities, houses, mountains

nebbia_veneziaThe latest issue of ReadingItaly is devoted to the literature of the fantastic. Beatrice Sica (UCL) examines Bontempelli’s and Buzzati’s Milano fantastica in which Bontempelli imagined the Piazza del Duomo – ‘occupata non da altro che da basse capanne, in mezzo a suono di ferrame, perché tra le capanne s’aggiravano vasti guerrieri baffuti con risa oscene’ – as the warrior camp of Belloveso, the city’s alleged founder. Silvia Zangrandi (IULM) looks at the ways Venice – ‘suspended between reality and imagination … populated by angels … where streets spring up and dissolve overnight, new canals take the place of earth’ – has been portrayed in works by Marinetti, Morante, Winterson and Buzzati. Matthew Reza (Oxford) recalls Buzzati’s love of the mountains and dislike of the city – ‘bolgia infernale di perdizione e alienazione, regno dell’ipocrisia, della menzogna, dell’egoismo, dove i sentimenti e le angosce peggiori trovano il miglior terreno per attecchire’. Paola Roccella (Warwick) points to the ambiguities, thresholds and Gothic motifs in Landolfi’s Racconto d’autunno, drafted in a decaying manor in Pico Farnese in 1946.

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Fondazione Giorgio Cini: borse di studio

biblioteca_del_longhena-190x120La Fondazione Giorgio Cini di Venezia offre borse di studio residenziali da 3 e 6 mesi a PhD e post-doc interessati a trascorrere un periodo di studio a Venezia per lavorare su temi di storia dell’arte, storia di Venezia, musicologia, letteratura, teatro, libri antichi. Oltre a queste borse, vi è un bando specificamente rivolto a studenti di origine italiana. Per ulteriori informazioni, contattare Marta Zoppetti del Centro Vittore Branca della Fondazione.

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Enfilade, Venetian Painting, Remembering David Rosand

Sally Grant   New York

bellotto-framed-copy

Here is an item from a recent issue of the newsletter Enfilade that will interest ACIS readers (Enfilade is edited by the tireless and ineffably charming Craig Hanson who keeps everyone in eighteenth-century studies, especially art and architecture, informed about what is going on in the way of exhibitions, conferences and publications). It signals the opening this week of a Venetian painting exhibition, In Light of Venice: Venetian Painting in Honor of David Rosand, at the Otto Naumann Gallery, New York, which lasts until 12 February 2016. The title recalls the distinguished art historian of Renaissance Venice who died in 2014 and in whose honour a new Italian professorship is to be established at Columbia University. Some of the profits from the exhibition will be donated to the David Rosand Tribute Fund at the university to support the position.

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Venetian Old Master Drawings, and a Contemporary Response, at the Ashmolean, Oxford

Sally Grant   New York

Giovanni Battista Piazzetta (1682-1754), Head of a Youth, Ashmolean Museum

Giovanni Battista Piazzetta (1682-1754), Head of a Youth © Ashmolean Museum

A major early-modern Venetian drawing exhibition has opened at the Ashmolean Museum in Oxford. Focusing on works from the sixteenth to the eighteenth century, Titian to Canaletto: Drawing in Venice should be a visual delight. Considering other recent exhibitions on this subject in Venice, LA, and New York (both in 2012 and 2013-14, as reviewed here), however, the museum’s emphasis on its “ground breaking” attention to the role drawing played for Venetian artists is perhaps a tad overstated. Nevertheless, when it comes to the art of Venice, the more shows the merrier.

This is particularly the case when exhibitions bring to view drawings that are often sequestered in archives away from the public’s gaze. Each opportunity to look closely at such works brings with it the chance of new understanding of aspects of art and humanity. And unlike the previously mentioned exhibitions, where the works were all drawn from US collections, the Ashmolean is displaying its own drawings alongside loans from the Uffizi in Florence and Oxford’s Christ Church. This will create the UK’s first prominent exhibition devoted to the drawings of the Venetian Old Masters.

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Jo-Anne Duggan Essay Prize 2015

Jo-Anne Duggan Essay Prize PosterWe are delighted to announce the outcome of the inaugural Jo-Anne Duggan Essay Prize sponsored by ACIS. The winner is Sally Grant, ECR (PhD, University of Sydney, 2013) for her essay on ‘The Eighteenth-Century Experience of the Veneto Country House: Andrea Urbani’s Decoration of Villa Vendramin Calergi’s Room of the Gardens’. Two entrants were highly commended: Crystal Filep (PhD candidate, University of Otago) for her creative work and exegesis ‘Intersection Unbounded’ and Kyra Giorgi, ECR (PhD, La Trobe University, 2013) for her essay ‘La speranza: Spaces of hoping, waiting and dreaming in Italian migration’.  The Panel for the Prize has provided the following summaries of the three entries …. Continue reading

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Transnational Italian Studies: Summer School in Venice, 21-24 September 2015

logo_withtextThe Transnationalizing Modern Languages project, based at the University of Warwick, invites applications from PhD students for its upcoming Summer School Transnational Italian Studies to be held in Venice, 21-24 September 2015. The Summer School provides an intensive four-day learning experience for a maximum of 15 students  interested in the study of Italian language and culture from a transnational perspective. The program consists of master-classes, lectures and roundtables given by international experts, as well as sessions in which students will have the opportunity to share their research and gain feedback from lecturers and peers. Participants will be presented with an array of innovative theoretical and methodological instruments which will enable them to analyse linguistic and cultural exchanges with a specific focus on modern Italy. They will also undertake a small research project in sites around Venice to put  these new tools into practice.

Bursaries covering accommodation expenses, lunch and tuition fees will be available. Further details on the course and the application procedure can be found here. The application deadline is 30 April 2015.
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Alla Venetiana

imagesFor those readers who did not receive invitations to George’s wedding in Venice, here are a couple of consolation prizes. Richard Bosworth’s latest book, Italian Venice: A History (Yale UP, 2014), offers a characteristically engaging account of the city since the fall of the Republic in 1797, covering inter alia the most significant contemporary issues: the threat of flooding, the festivals, tourism. A very different view of the city is presented by the philosopher Philip Kitcher whose Deaths in Venice: The Cases of Gustav von Aschenbach (Columbia UP, 2013), takes Thomas Mann’s novella as an entry point to an exploration of the general relations between literature and philosophy.

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Eighteenth-Century Venetian Drawings in New York

Sally Grant   New York

tiepolo_1997_27_2The recent post on Angelo Cattaneo’s upcoming paper got me thinking about Venice. Having recently completed my PhD at the University of Sydney on eighteenth-century Venetian gardens and villa culture, the city and its territory are never far from my thoughts. Recently, however, I was lucky enough to see a wonderful exhibition, ‘Tiepolo, Guardi, and Their World: Eighteenth-Century Venetian Drawings’, at the Pierpont Morgan Library in NYC, where I now live.

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