Tag Archives: commedia all’italiana

Cinepanettoni e dintorni

800px-Vacanze_di_Natale_-_TitoliAlong with the departure of the Christmas festivities goes the classic season for cinepanettoni. But before it finally vanishes, check out the latest issue of Reading Italy where the topic gets thorough treatment. There’s a discussion with its rehabilitation specialists, Alan O’Leary (author of a recent study of the genre) and Catherine O’Rawe, whose joint anti-neorealist manifesto, paving the way for the reconsideration of cinepanettoni, appeared in the JMIS (2011: 16, 1). A second opinion, sought from consultant Luca Peretti, takes issue with Dr O’Leary’s diagnosis and proposed course of treatment. Danielle Hipkins examines the genre’s ‘Showgirl Effect’, noting some continuities between Fellini and Sorrentino, and Nathalie Fullwood tracks further continuities between cinepanettoni and the commedia all’italiana.

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News from the journals – May

The latest issue of the Journal of Modern Italian Studies (2013, no.2) is a special issue with the title ‘Mediating the Risorgimento’. rmis20.v018.i02.coverIts focus is the way in which historical figures and the events in which they played central parts were represented and shaped by the media of the time – painting, photography, opera, theatre and panoramas. The most recent issue of Modern Italy (2013, 1) has an interesting set of articles on Italian cinema, in particular an analysis of the relation between the (pre-Grillo) commedia all’italiana and the other media of the 1960s, especially advertising. Revisiting Modern Italy‘s 2012 issues, two contributions to topics which have since appeared in our posts deserve highlighting in case they have been missed. Penny Morris, Francesco Ricatti and Mark Seymour edited a special issue on ‘Italy and the Emotions’ (2012, vol.17, no.2) which contains inter alia an explanation of Tottimania and its wider significance.  And for those captivated by Caterina Sinibaldi’s post on translating Alice during the Fascist period, Jomarie Alano (2012, vol.17, no.1) examines another story for children which, conceived in 1938 as a contribution to anti-Fascism, also has a decidedly non-conforming protagonist: Ada Gobetti’s Storia del gallo Sebastiano. 

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