Tag Archives: China

ACIS Cassamarca scholarship awards for 2014

ACIS cropped header

ACIS congratulates Stefano Bona (Flinders University) and Esther Theiler (La Trobe University) on the award of ACIS Cassamarca scholarships for research in Italy in 2014. Stefano’s PhD research topic is the representation of China in Italian film since 1949 and its cultural, economic and ideological implications. Esther’s work, also for a PhD, concerns the analysis of portrait painting in Italy in the 17th century, using paleographic and linguistic skills to interpret archival materials. The competition for the awards was particularly strong this year, and the ACIS Scholarships Committee wishes to put on record the very high quality of all the applications and its regret that it could make only two awards.

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Emotional geographies of Italian transnational spaces

Francesco Ricatti   University of the Sunshine Coast

CSR 19(2)The new issue of Cultural Studies Review (volume 19 issue 2) includes a section I have co-edited with Maurizio Marinelli on Emotional geographies of the uncanny: reinterpreting Italian transnational spaces. Our aim was to read transnational spaces constructed and inhabited by Italian migrants and settlers to Australasia as emotional spaces of uncanny perceptions, memories, narratives and identities. Drawing inspiration from the Freudian suggestions about the uncanny (das unheimliche), and later interpretations by Heiddeger, Derrida, Kristeva, Bhabha, Žižek, and Ahmed, we refer to the uncanny as the emotional reaction to something that is, at the same time, familiar and unfamiliar, homely and unhomely. The uncanny then becomes an aesthetic frame through which experiences of migration and colonialism can be read and interpreted. Continue reading

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How do Italian film-makers see China?

Stefano Bona   Flinders University

Portrait of Marco Polo

16th century portrait of Marco Polo (1254 – 1324)

China has rapidly become the world’s second largest economy, and most of the clothes and shoes we wear, the mobile phones and computers we use, the bicycles we ride today are made there. However China’s cultures and peoples are still largely unknown or misunderstood in Western societies. Italy may be seen as a symbol both of the positive relations of China with the West (an embassy sent by Rome reached China as early as 166 AD, and the legacy of Marco Polo and Matteo Ricci is still thought highly of by the Chinese) and of the misunderstandings which have occurred in the relations between these cultures. Hence the way Italy and Italians identify China, its people and its culture, might be seen as a “litmus test” of their perception by Western countries.

If we add two further considerations, that film makers are intellectuals who interpret the feelings of society, and that, as David Bordwell argues, films are created to have an impact on audiences and speak to their imaginative needs, it then becomes particularly interesting to analyse how China has been represented by Italian directors who have shot films there since 1949 (the year the People’s Republic of China was proclaimed).

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