ACIS is delighted to announce that Professorial Fellow Yasmin Haskell (foundation Cassamarca Chair in Latin Humanism) is returning to the University of Western Australia after two years at the University of Bristol, United Kingdom. In Bristol she was Chair of Latin in the Department of Classics and Ancient History and served as Director of the Institute of Greece, Rome and the Classical Tradition. Some highlights of her time in Europe were commissioning an historically-informed concert performance of the Viennese baroque Jesuit musical drama, Mulier Fortis (Strong Woman) in collaboration with her former UWA PhD student, Dr Makoto Harris Takao (Max Planck Institute for Human Development, Berlin); and several invited talks on Latin humanist topics, for instance at the Accademia Vivarium Novum (Frascati), European University Institute, Florence; University of Bologna; Catholic University of Milan; and most recently, to the Virgil Society, London. In November 2018 she gave the 39th annual Erasmus lecture at the Royal Academy of the Netherlands, Amsterdam, on ‘Erasmus and the Health of Scholars: Physical, Emotional, Spiritual’, and an associated masterclass for selected graduate students on ‘Passions for and of Learning in the Early Modern Period’. We wish Prof. Haskell a gentle landing on Australian soil, and look forward to hearing about her further activities in the coming year.
Il Comitato scientifico delle International Conferences on Jewish Italian Literature (Icojil) intende organizzare nella ‘Scola’ di Cuneo, alla Biblioteca e Centro Studi sugli Ebrei in Piemonte “Davide Cavaglion”, 26-28 giugno 2019, il suo dodicesimo convegno. Come indica il titolo, Letteratura ebraica in Piemonte: da Artom a Zargan, sarà dedicato ai lavori degli scrittori ebrei piemontesi. Terra in cui è nato uno dei nuclei storici della Resistenza antifascista e che ha visto un’intensa attività partigiana nella seconda guerra mondiale ma ha anche sentito le aspre ripercussioni fasciste, il Piemonte è una regione nella quale la presenza ebraica (ritrattata in “Argon”) data da molti secoli ed ha contribuito sia all’Unità d’Italia che ai principali movimenti intellettuali del Novecento. Continue reading
ACIS is delighted to congratulate the winners of the Jo-Anne Duggan Prize for 2019 for Best Essay, Best Creative Work, and Highly Recommended. Rory McKenzie (PhD candidate, VUW, New Zealand) has been awarded the Best Essay prize for his project entitled ‘A translation stalemate: The Dark Horse in Italian‘. Valentina Maniacco (PhD candidate, Griffith University) has been awarded the Best Creative Work prize for her entry ‘Translating the allusions in Tito Maniacco’s Mestri di mont (2007)’. And Nicole Townsend (PhD candidate, UNSW) has been Highly Recommended for her essay entry ‘The ‘enemy other’: Identity and belonging within the Italian-Australian community during the Second World War‘. The abstracts for each of the three entries can be found on the Winners page under Prize on our main menu above.
ACIS is delighted to congratulate the three winners of the ACIS Cassamarca postgraduate scholarships for research in Italy in 2019. Julia Pelosi-Thorpe (MA, Italian Studies (University of Melbourne) awarded the Dino De Poli Scholarship for her project ‘Imitate da Ovidio: gender ventriloquism in the seicento epistole eroiche’; Andrea Pagani (PhD, Literary and Cultural Studies, Monash University) for ‘Beyond Pinocchio: Italian National Identity in Carlo Collodi’s Works for Primary Schools (1877-1890)’; and Margherita Angelucci (PhD, Literary and Cultural Studies, Monash University) for ‘A New Way of Being Italian through the Lens of Hip Hop’. The abstracts for each project will be available shortly on the Winners page on our Scholarships menu.
ACIS and the University of Melbourne have established a two-year Postdoctoral Fellowship in Italian Studies, located in the School of Languages and Linguistics at the University of Melbourne, with a starting date of 1 February 2019. The Fellow will have the opportunity to build a research profile through the development of an original research project in any area of Italian Studies broadly defined, including, but not limited to, literature, linguistics, history, political studies, anthropology, and art history. The Fellow is also expected to have a teaching workload of up to 25% in Italian Studies, European Studies or Italian language and culture at an undergraduate and/or Honours level.
To apply, candidates must have been awarded a PhD from an Australian or New Zealand university after 1 January 2012 in any area of Italian Studies and be either citizens or permanent residents of Australia or New Zealand. Graduates who satisfy the PhD requirements and currently live in Australia under the Temporary Graduate Visa (485) expiring after the end of 2020 will also be considered. Full details of the position and the application process can be found here.
The closing date for applications is 28 November 2018.
Emma Barron’s just-published Popular High Culture in Italian Media, 1950-1970 (Palgrave, 2018) is an essential and engaging contribution to the study of Italian mass culture. The book’s subtitle, ‘Mona Lisa Covergirl’, points to the originality of its theme: how Italian high culture was deployed to create a distinctive form of mass culture in the post-1945 expansion of television and popular magazines. Pasolini and Quasimodo providing advice to readers of Tempo (Pasolini: ‘The letters are enjoyable: some of them even give me a profound joy, even if as brief as a flash’), Mike Bongiorno promoting knowledge of the classics through Lascia o raddoppia? (15 million viewers weekly), Il barbiere di Siviglia as the first opera to be transmitted on Italian tv (1954, conducted by Carlo Maria Giulini), Giacomo Puccini endorsing Odol mouthwash (‘Lodo l’ODOL, LO DOLce licor che LO DOLore del dente scaccia di sovente’), Shakespeare’s lines used to sell pasta (Barilla), liquor (Amaretto di Saronno) and chocolates (Baci Perugina), I promessi sposi drawing mass tv audiences (19 million) and readerships (magazines, fotoromanzi, comics) – this study of the intertwining of the classic and the contemporary provides a fresh and productive account of the development of Italian mass culture.
The 60th anniversary of the publication of Giuseppe Tomasi di Lampedusa’s The Leopard will be celebrated at the University of Melbourne on 12-14 November 2018. On 12 November the writer Simonetta Agnello-Hornby will give an open public lecture, The North and South in 20th Century Italy and the Effect of ‘The Leopard’ in Sicily and in Europe, examining the impact of di Lampedusa’s major work, in book and film (Visconti, 1963) form, in Sicily itself and on European views of Sicilians. The lecture, 5.30-6.30pm in the Forum Theatre (North Wing), Arts West Building (153), at the University of Melbourne, is the prelude to a 2-day symposium, Sicily, Italy and the Supranational Cultural Imaginary, convened by Mark Nicholls (Melbourne), Gregoria Manzin (La Trobe), Annamaria Pagliaro (Monash) and Agnese Bresin (Melbourne and La Trobe) on 13-14 November, 10.00am-5.00pm at the Interactive Cinema, Arts West 353, at the University of Melbourne. The symposium, open to all, will cover many aspects of di Lampedusa’s work, along with analyses of Visconti’s film and a variety of Sicilian texts, art works and historical events. Registration for the lecture is here. For further information on the lecture and the symposium, contact Mark Nicholls. Continue reading
Photos move us. They enable us to travel virtually to wherever the scene is captured. They also move us by provoking emotions unleashed by the picture. Travel photography illustrates this double power especially clearly as Giorgia Alù argues in her just-published Journeys Exposed: Women’s Writing, Photography and Mobility (Routledge, 2018). The writers and photographers analysed (Melania Mazzucco, Ornela Vorpsi, Monika Bulaj, Carla Cerati, Elena Gianini Belotti and Anna Maria Riccardi) are variously related to Italy: Italians, Italophones, migrants or expatriates to Italy, or through hyphenated adjectives of nationality, as Italian-American or Italian-Australian. The book begins with an anecdote recounted by Karen Blixen. During a stormy night a man has to go out to fix a leakage in his pond’s dam. He stumbles around, falls over, and takes wrong paths but next morning he sees that the tracks his boots have left in the mud trace the outline of a stork. The stork provides an unsuspected unity for his apparently random movements but one which only becomes visible a posteriori and from a distance. Such traces expose the form of movements, underlying or unintended, in lives, texts and photographs but, like photographs, the form requires the technical processes of exposure to be seen.