Category Archives: Film Theatre and Media

Remembering Modigliani (1884-1920)

2020 marks the centenary of the death of Amedeo Modigliani, the Italian artist who died young of tuberculosis in Paris after a life usually described as troubled. The Italian Institutes of Cultures of Sydney and Melbourne have joined forces to remember him by two free events: online projection of the film Les amants de Montparnasse (Montparnasse 19)  (9 July, 18.00-20.00, free, necessary to register here); and a webinar Modigliani – A Bohemian Life by Roberta Crisci (16 July, 18.30, again registration necessary here). The film is attributed to Max Ophuls as well as Jacques Richard since Ophuls, the intended director, wrote the script but died before the film could be shot.

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Religion in cinema and television

Clodagh Brook’s latest work, Screening Religions in Italy (2019), tackles a little-explored area: the role of Catholicism (but also of other religions) in the organisation, production and distribution of Italian film and television. Pollard (2008) and Garelli (2014), for example, have provided valuable summaries of what we know about the patterns of Italian religious belief and participation, electoral influence, relations between church and state, and so on, often considering in what respects Italy is becoming more religiously differentiated or perhaps even secular. But Brook tackles the detailed ways in which Catholicism – its icons, rituals and policies – has shaped the form and content of film-making in recent years, tracking its embedding across the public sphere and concluding that, surprisingly, its hold over the production and distribution of films has actually been strengthening since the 1990s.

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Vittorio De Sica Retrospective

Vittorio De Sica was one of the most important actors and directors in 20thC Italy and his influence is still felt today both in Italy and abroad. In partnership with Melbourne Cinémathèque, Elisabetta Ferrari (Italian Studies, University of Melbourne) will introduce his life and work on Tuesday 11 February at the Italian Institute of Culture in Melbourne, 233 Domain Rd, South Yarra, at 6.30 (booking here) in  preparation for the Vittorio De Sica Retrospective that will take place between 12 and 26 February 2020 at The Capitol cinema in Melbourne. Elisabetta’s talk is free and in English.

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ACIS Save Venice Fellowships 2020

ACIS is calling for applications for up to two ACIS Save Venice Fellowships for 2020. The Fellowships are based in Venice, open to postgraduate and early career researchers, cover the three months between mid-September and mid-December 2020, and are worth $8000 each. Fellows will be EITHER a current Masters or PhD candidate in any area of Italian Studies at an Australasian university OR a postdoctoral researcher in any area of Italian Studies within 3 years of successful completion of their Masters or PhD at an Australasian university. The Fellowship is designed for those researchers and scholars whose research and/or career can benefit in any way from a period in Venice and the use of the city’s substantial resources. ACIS expects that people working in the fields of History, Art History, Fine Art, Cultural and Media Studies, and Restoration and Museum Studies will be particularly interested, but applications will be welcome from any field across the humanities and social sciences. Further information about the Fellowships and the application process can be found here and on the page under Fellowships. The closing date for applications is 9 March, 2020.

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Mediating Italy in Global Culture

The Department of the Arts, University of Bologna, in collaboration with Brown University, Dickinson College, The University of Michigan, The Ohio State University and Wesleyan University, invites you to join us for the third edition of  the Mediating Italy in Global Culture Summer School, June 22-27, 2020 at the DAMSLab, Piazzetta P.P. Pasolini 5/b Bologna. The School is open to graduate and post-graduate students with a background in Media Studies, Film Studies, Italian Studies, Cultural Production, American Studies, and similar degrees and will investigate the forms of production, distribution, circulation, and reception contributing to the “mediation” of Italian audiovisual culture in the United States, the United Kingdom, the European Union, and other national contexts. On- and off-campus activities are both included. The cost of tuition and supplementary activities is €200 (accommodation, transportation and meals are not included). The application deadline is March 29 2020; applications are made online here.    Continue reading

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The sense of place on page and screen

Two current talks emphasise the importance of the specific local setting for the central action in Italian fiction. First, Barbara Pezzotti (Monash) has begun a series of SBS podcasts on the Italian gialli (romanzi criminali) with a piece on gialli in Milan. She discusses the changing role of the city itself, first the centre, then the periphery, as portrayed by authors from Giorgio Scerbanenco (eg Traditori di tutti, 1966) to Rosa Teruzzi (eg La fioraia del Giambellino, 2017). Her forthcoming city-centred analyses will include Turin, Bologna and Rome. Second, Mark Nicholls (Melbourne) concludes his talks on classic Italian films – Roma città aperta (Rossellini, 1945), Ladri di biciclette (De Sica, 1948), La dolce vita (Fellini, 1959), Il conformista (Bertolucci, 1970) and Morte a Venezia (Visconti, 1971) – with a discussion of Nuovo Cinema Paradiso (Tornatore, 1988) on Tuesday 22 Oct 2019, 6.30-8pm. at 199 Faraday St, Carlton, VIC 3053 (free event – RSVP essential here). Tornatore’s depiction of small-town life in Sicily after 1945 is the essential background for understanding the place of cinema-going in the creation of collective memory and (often) nostalgia.

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Indelible/Indelebile Conference in Adelaide: associated events

The VPS Research Group has organised a number of free Italian events/performances open to the public and linked to its international interdisciplinary conference Indelible (Eng) / Indelebile (It) – Representation in the arts of (in)visible violence against women and their resistance, to be held at Flinders University at Victoria Square, Adelaide, on 23-25 October 2019. The links to the various options can be found on the conference webpage under ‘Visual and Performing Arts Events’. All events are part of La Settimana della Lingua Italiana nel Mondo/The Italian Language Week in the World and there is also another free performance (in Italian): Affabulazioni. Storie, fatti e fattacci, narrati da un Giullare pazzo e una Musicista con la testa fra le nuvole (in Italian). This performance is organised by the Italian Consulate in Adelaide at UniSA at 6.30pm on 23 October. Book online here through the eventbrite website which has details of the location.

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Cassamarca lecturer Luciana D’Arcangeli opens the SAGA Adelaide Film Festival

Luciana D'Arcangeli with Mona Khazim

Luciana D’Arcangeli, Cassamarca Lecturer at Flinders University, was recently invited to open the second SAGA Adelaide Women’s International Film Festival. Inaugurated in Stockholm, and dedicated to showcasing the work of amateur as well as professional female film makers, this year’s Adelaide SAGA showed a selection of 36 films. SBS’s Magica Fossati recorded this interview with Dr D’Arcangeli (pictured at left together with Mona Khazim the founder of SAGA).

 

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ACIS – Save Venice fellowships for 2019

ACIS is very pleased to announce that Jen McFarland and Emma Barron have been awarded ACIS – Save Venice Fellowships for 2019.

Jen McFarland’s project, Pizzochere and public presence in late fifteenth- and sixteenth-century Venice, is a study of pizzochere (lay religious women), examining their identity, social status, and activities and drawing on material in the Archivio Storico Patriarcale di Venezia and the Archivio di Stato di Venezia, as well as painting cycles in the Gallerie dell’Accademia. Pizzochere groups held a significant social and charitable function in sixteenth-century Venice, offering vital spaces of assistance and agency for women of varied (but mostly vulnerable) social backgrounds.

Emma Barron’s project, Popular access to ideas about the modern world through mass culture in post-war Italy, examines social change and media coverage of the Venice Art Biennale and Venice Film Festival in the late 1960s, using materials from the Archivio Storico della Biennale di Venezia, Archivio dello Stato and the Biblioteca della Fondazione Querini Stampalia. She will analyse ideas about Venice as a site of glamour, wealth and film-stars and the events that led to Venice becoming a site of protest during the 1968 student demonstrations at the 34th Venice Art Biennale and the 29th Venice Film Festival.

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ACIS scholarships for postgraduate research in Italy in 2020

ACIS is offering UP TO THREE scholarships worth $6,000 each to provide postgraduate students at an Australian or New Zealand university with the opportunity to work on a research project in Italy in 2020. For one of the awards, the Dino De Poli Scholarship, preference may be given to applications for research on any aspect of the culture, history and society of North East Italy. The scholarships are available to students who are currently enrolled, full-time or part-time, in Master by research or PhD degrees in a university in Australia or New Zealand and who are engaged in research projects in any of the following areas of Italian Studies: archaeology and classical antiquities, language, literature, culture, history, politics and society, including migration studies. Full details of the scholarships, eligibility, and the application process can be found here. The deadline for submission of applications is SUNDAY 13 OCTOBER 2019.

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