Category Archives: Contemporary

Monash ACIS Postdoctoral Fellowship

ACIS and Monash University have established a two-year Postdoctoral Fellowship in the University’s School of Languages, Literatures, Cultures and Linguistics, to be held at the Monash Prato Centre, for which applications are now invited. Candidates must have been awarded a PhD from an Australian or New Zealand university after 1 January 2012 in any area of Italian Studies and be either citizens or permanent residents of Australia or New Zealand. Graduates currently living in Australia under the Temporary Graduate Visa (485) will also be considered. The ideal candidate will have a strong research record at the intersection of Italian studies, migration studies, and/or participatory action research. A focus on transcultural practices, policy-oriented research, and/or community engagement will be an advantage. Full details of the position and application are available here. The closing date for applications is Friday 13 July 2018.

 

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Migrants and asylum seekers in Italy

Was Italy the desired destination in the minds of migrants and asylum seekers who are now settled there? What image, if any, of Europe did they have before they arrived? What picture do migrants from many different places have of the smugglers who help them move? Are Facebook and social media important channels of communication and decision-making for migrants? How should the false and incomplete information which migrants rely on be corrected? These and other issues are the topic of a recent report, based on interviews and fieldwork, prepared for the European Commission by Gabriella Sanchez and her co-authors, A study of the communication channels used by migrants and asylum seekers in Italy, with a particular focus on online and social media (2018).

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Conversazione con Donatella Di Pietrantonio

Patrizia Sambuco

I suoi romanzi in breve tempo hanno portato Donatella Di Pietrantonio al centro del panorama letterario italiano. Il primo, Mia madre è un fiume (2011), ha ricevuto diversi premi; il secondo, Bella mia, candidato al Premio Strega, ottiene il Premio Brancati 2014; e nel 2017 L’Arminuta ha vinto il Premio Campiello. Nonostante questa progressiva visibilità e l’evidente successo di pubblico, Di Pietrantonio ha spesso affermato di fare fatica a considerarsi una scrittrice. La sua abitudine alla scrittura si è sempre svolta parallelamente alla sua professione di dentista; infatti la scrittura è stata per lei un hobby coltivato sin da bambina piuttosto che l’attuazione di una professione ricercata. Nella primavera 2018 ho parlato con lei dei suoi tre romanzi e della sua scrittura….. Continue reading

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ACIS Research Group: History and Social Sciences

The first 3-year plan for the ACIS History and Social Sciences Research Group is available here. As its title, Trade, Textiles and Meaning in Italy: 1400-2018, suggests, the focus is on the nature and consequences of the high-end textile trade in Italy from the Renaissance onwards. The project begins with a specific object – the portrait of Isabella D’Este (1474-1539) by Titian – and explores the production and meaning of all the items of clothing, seen and not seen, that Isabella is wearing. The exploration is conducted in tandem with the IDEA (Isabella D’Este Archive) website, in relation where possible to the references to clothing and textiles in Isabella’s correspondence. The second part of the project examines similar themes in the contemporary world of ‘Made in Italy’, where many major producers using that descriptor are not Italian. Information on the activities and people involved in the project can be found in the plan and from the Research Group’s convenor, Catherine Kovesi.

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ACIS Conference, Victoria University of Wellington, 7-10 February 2019

The conference pages for the ACIS 10th Biennial Conference at Victoria University of Wellington, NZ, 7-10 February 2019 are available here. They provide details for submission of the paper proposals, registration and accommodation in Wellington. The deadline for submission of paper and panel proposals has been extended until 30 July 2018.  Anyone with an urgent query is very welcome to contact Sally Hill or Claudia Bernardi from the organising committee via the Conference email.

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Ermanno Olmi (1931 – 2018)

Gino Moliterno   ANU

Less than three weeks after the death of Vittorio Taviani the Italian cinema has lost another of its great veteran filmmakers – Ermanno Olmi who died on May 7. With a strong attachment to his peasant origins and his rural Catholic background, both of which were amply reflected in his major works, for the last 60 years Olmi had come to occupy a unique position within mainstream Italian cinema through a series of films that were remarkable for their honesty and authenticity and for their profound commitment to validating the ordinary lives and daily experiences of common people.  Continue reading

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Work and culture among sessional staff in language departments

Although not specifically concerned with Italian, a recent article in the Journal of Perspectives in Applied Academic Practice (2018, 6, 1, 19-27), ‘Managing Expectations: A Case Study of Sessional Staff in Languages and Cultures Education in Australian Universities‘ by Josh Brown and Federica Verdina, provides valuable insights into the largely unresearched work patterns and culture of casual/sessional staff. The survey they conducted across language departments indicates that although most staff appear to be satisfied with the work itself, the further issues in short-term contracts – academic recognition, opportunities to engage in course innovation, possibilities for promotion –  are largely ignored by universities despite the high academic qualifications and intellectual commitment of most sessionals.

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ACIS – Save Venice Fellowship 2018

ACIS is very pleased to announce that Dr Angelo Lo Conte has been awarded the inaugural ACIS – Save Venice Fellowship. He will spend 3 months in Venice in the second half of 2018 to work at the Biblioteca Marciana, the Fondazione Giorgio Cini and the Galleria dell’Accademia on the extensive literature about, and drawings of, three artists originally from Bologna: the brothers Camillo (b.1564),  Carlo Antonio (b.1571) and Giulio Cesare (b.1574) Procaccini. Both the stylistic and commercial aspects of the family bottega established in Milan in the late 1580s played a significant role, artistic and practical, in the transition from Mannerism to the Baroque.  The project will define and illustrate the ways in which the Procaccini were the most important family of painters working in northern Italy in the first part of the 17th century.

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Vale Vittorio Taviani (1929-2018)

Gino Moliterno   ANU

Sadly, the front ranks of the veteran Italian film directors continue to diminish. Only two years after the disappearance of Ettore Scola, 88 year-old Vittorio Taviani has also folded up his director’s chair and passed on. For six decades, always and indissolubly joined at the artistic hip with his slightly younger brother, Paolo, Vittorio had formed the vital half of a prolific filmmaking duo who produced some of the most memorable films of the Italian postwar cinema.  By their own account – and they have always spoken with a single voice – the Taviani brothers first discovered their passion for filmmaking as teenagers, skipping school one day and chancing to catch a screening of Roberto Rossellini’s Paisà. Sons of a vehemently anti-fascist lawyer who had also taken up arms as a partisan, the boys had had direct experience of the recent war and now were struck by the power of film to represent reality. As they left the cinema they resolved that they would be filmmakers.     Continue reading

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Call for entries: Jo-Anne Duggan Prize 2019

We are now calling for entries for the Jo-Anne Duggan Prize 2019 which honours Jo-Anne’s memory and work. She left one of the richest and most compelling collections of photographs by any Australian artist to engage with Italian culture, history and art. Her work, exemplifying what she called her ‘postcolonial eye’, demonstrates remarkable breadth, covering public spaces/places of Italian diaspora in Australia, enquiries into the re-contextualisation and museification of Renaissance art, Australian archives of Italian migration, and complex case studies on the legacy of the Gonzagas. The guidelines for entries for the 2019 Prize can be found here, accompanied by guidelines for the exegesis for creative works, a list of links to Jo-Anne’s writings, and her CV which includes a list of her exhibitions. The deadline for entries for the Prize is 29 October 2018. All enquiries should be directed to Catherine Dewhirst (USQ).

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