Author Archives: DM

Remembering Modigliani (1884-1920)

2020 marks the centenary of the death of Amedeo Modigliani, the Italian artist who died young of tuberculosis in Paris after a life usually described as troubled. The Italian Institutes of Cultures of Sydney and Melbourne have joined forces to remember him by two free events: online projection of the film Les amants de Montparnasse (Montparnasse 19)  (9 July, 18.00-20.00, free, necessary to register here); and a webinar Modigliani – A Bohemian Life by Roberta Crisci (16 July, 18.30, again registration necessary here). The film is attributed to Max Ophuls as well as Jacques Richard since Ophuls, the intended director, wrote the script but died before the film could be shot.

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La tragedia del Vajont

La storia della diga del Vajont, che doveva essere il gioiello dell’energia idroelettrica italiana a cavallo tra il Veneto e il Friuli Venezia Giulia. Ultimatata nel 1960, la diga era la più alta in Europa e sottostava all’imponente Monte Toc. Tutto pareva essere normale nei tre anni che seguirono al completamento, fino a che il 9 ottobre 1963, 270 milioni di meri cubi di terreno si distaccarono dal fianco della montagna provocando la tracimazione della diga. Questo provocò un vero e proprio tsunami che si riversò sui paesi della valle, uccidendo piu di 2000 persone. La tragedia viene raccontata adesso in un documentario qui su Viceland.

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Religion in cinema and television

Clodagh Brook’s latest work, Screening Religions in Italy (2019), tackles a little-explored area: the role of Catholicism (but also of other religions) in the organisation, production and distribution of Italian film and television. Pollard (2008) and Garelli (2014), for example, have provided valuable summaries of what we know about the patterns of Italian religious belief and participation, electoral influence, relations between church and state, and so on, often considering in what respects Italy is becoming more religiously differentiated or perhaps even secular. But Brook tackles the detailed ways in which Catholicism – its icons, rituals and policies – has shaped the form and content of film-making in recent years, tracking its embedding across the public sphere and concluding that, surprisingly, its hold over the production and distribution of films has actually been strengthening since the 1990s.

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Pandemia 2020 in Italia

E’ uscito adesso un libro istantaneo, Pandemia 2020: La vita quotidiana in Italia con il Covid-19, curato da Alessandra Guigoni e Renato Ferrari, scaricabile gratis qui. Il libro, disponibile gratuito anche fra poco su Amazon, raccoglie i contributi originali di 28 autori e 12 ospiti, tra cui antropologi culturali, ricercatori delle scienze umane, sociali e biologiche, filosofi e linguisti, appartenenti a generazioni e a contesti lavorativi differenti, che hanno deciso di mettere a disposizione le loro competenze e i loro saperi per cercare di capire che cosa è accaduto e come possiamo uscire da questa drammatica situazione.

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Disease and death

‘They fell ill daily in their thousands … many fell dead in the open streets … such was the multitude of corpses there was not sufficient consecrated ground to bury them’.  And: ‘the plague came from afar … that part of the world called Asia’. A historian in 2120 describing the horrors of a century earlier? Extracts from a comparative study of plagues and pestilence? An epidemic seen from the grassroots today? No, Boccaccio and Villani talking of events in Italy as the Black Death and other disasters wreaked their havoc, as quoted by Tim Parks in the introduction to his dispatch from northern Italy, ‘Milan in a time of coronavirus‘ in this week’s TLS (March 20, 2020). For descriptions of life in the plague-ridden Florence of 1630, see the review in the LRB (20 March, 2020) of John Henderson’s Florence Under Siege: Surviving Plague in an Early Modern City (Yale UP 2019).

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ITALIAN OPERA FROM THE MEDICI TO BELLINI

THIS LECTURE SERIES HAS HAD TO BE POSTPONED BECAUSE OF CURRENT PUBLIC HEALTH CONCERNS

Joseph Talia OAM, singer, artistic director, teacher and scholar, will be giving a series of talks on Italian opera from the Renaissance to Bellini between March and November 2020 at CO.AS.IT, 199 Faraday St, Carlton, from 6.30-8.00 pm on the last Tuesday of every month (except June). Entry is free, an aperitivo is included, but registration is requested. Apart from his teaching work, Maestro Talia is the author of the trilogy A History of Vocal Peda­gogy: Intuition and Science; Vocal Science for Elite Singers; and Italian Bel Canto in the Age of Vocal Science. Here is his description of each of the 8 lectures ……
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‘Ultras despite being women’

What is the position of women in the groups of football fans in Italy called the ultras? Newspaper reports of ultra activities emphasise the men and the systems of power, exchange and violence they manage. But women belong to the groups too, often from a very early age. Can they accede to positions of responsibility, issue orders, organise the rituals of fandom on and off the pitch or do they play a subordinate role at every point? Can they have anything that corresponds to a career in such groups? Ilaria Pitti interviewed the women at the core of one group (in Serie A but not specified) to track their perspective on their lives. Her report, ‘Being women in a male preserve: an ethnography of female football ultras‘ (Journal of Gender Studies, Volume 28, 2019, 3) considers the options which women themselves see as available and acceptable.

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Art: high, low and mixed

The third issue (January 2020) of the open-access journal Modern Art of the Center for Italian Modern Art (New York), is dedicated to the proceedings of the conference “Methodologies of Exchange: MoMA’s Twentieth-Century Italian Art (1949)”. CIMA’s publications advance innovative scholarship in the area of twentieth-century Italian art and promote Italian modern artists who remain particularly understudied among US audiences. On a different front, the publication of Emma Barron’s book Popular High Culture in Italian Media 1950-1970: Mona Lisa Covergirl (Palgrave Macmillan 2018) has been very favourably received (Barron was one of the 2019 ACIS Save Venice Fellows). Here is the review  in the latest issue (2020) of the journal Modern Italy.

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Violence in the borderlands

Defined as ‘borderlands’ by Tracey Banivanua Mar, the sugar towns of North Queensland in the late nineteenth and early twentieth centuries hosted a great variety of ethnic groups: Chinese, Indian, Japanese, ‘Malay’, Pacific Islander and later South European. Violence between members of different groups was common. In ‘Beyond whiteness: violence and belonging in the borderlands of North Queensland’ (Postcolonial Studies, February 2020, online ahead of publication) Maria Elena Indelicato examines the case of three South Sea Islanders attacking an Italian farmer in the city of Ingham in 1927. The motive behind that particular attack remains unknown. Indelicato treats it not as a random episode but as a sign of the way in which migrants were involved in the subjection of ‘natives’ and South Sea Islanders. Violence can thus be seen as a claim to belonging by migrants, Italian or not, and as a technology used by settlers to manage ‘undesired’ populations.

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Vittorio De Sica Retrospective

Vittorio De Sica was one of the most important actors and directors in 20thC Italy and his influence is still felt today both in Italy and abroad. In partnership with Melbourne Cinémathèque, Elisabetta Ferrari (Italian Studies, University of Melbourne) will introduce his life and work on Tuesday 11 February at the Italian Institute of Culture in Melbourne, 233 Domain Rd, South Yarra, at 6.30 (booking here) in  preparation for the Vittorio De Sica Retrospective that will take place between 12 and 26 February 2020 at The Capitol cinema in Melbourne. Elisabetta’s talk is free and in English.

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