Luciana D’Arcangeli, Cassamarca Lecturer at Flinders University, was recently invited to open the second SAGA Adelaide Women’s International Film Festival. Inaugurated in Stockholm, and dedicated to showcasing the work of amateur as well as professional female film makers, this year’s Adelaide SAGA showed a selection of 36 films. SBS’s Magica Fossati recorded this interview with Dr D’Arcangeli (pictured at left together with Mona Khazim the founder of SAGA).
On 20 March, Professor John Kinder will launch a special lecture series to celebrate 90 years of Italian Studies at the University of Western Australia. It was a Venetian, Francesco Vanzetti, who offered the first courses of Italian at the University back in 1929. It should be noted that his was the first appointment of a lecturer in Italian at any university anywhere in Australia. Supported by the Institute of Advanced Studies and by Italian Studies at UWA, the full programme of lectures is available here. Professor Kinder’s lecture is entitled ‘Italians in Nineteenth-Century Western Australia, and how a Venetian Industrial Chemist Came from Kalgoorlie to Teach Italian at the University of Western Australia’. It will be held in the Fox Lecture Theatre, UWA Arts Building, 18:00-19:00 pm.
There is an exciting new opportunity for a Faculty of Arts postgraduate student at the University of Melbourne to take part in the Venice Biennale Champion’s Program to be held in Venice, Italy. Taking place between 29 September – 3 October 2019, the Champions’ Program offers access to events and opportunities to engage with contemporary art works at the 58th Venice Biennale and allows for a deeper engagement with Venice’s hidden treasures. The program would be relevant to University of Melbourne students undertaking research in the fields of contemporary visual art, art history, international art biennales, fundraising, donor relations and history. Applications close 12 April. For further information and how to apply, please visit the Venice Biennale Champions Program page.
There is an exciting new opportunity for a Faculty of Arts postgraduate student at the University of Melbourne to take part in the Venice Biennale Champion’s Program to be held in Venice, Italy. Taking place between 29 September – 3 October 2019, the Champions’ Program offers access to events and opportunities to engage with contemporary art works at the 58th Venice Biennale and allows for a deeper engagement with Venice’s hidden treasures. The program would be relevant to University of Melbourne students undertaking research in the fields of contemporary visual art, art history, international art biennales, fundraising, donor relations and history. Applications close 12 April. For further information and how to apply, please visit the Venice Biennale Champions’ Program webpage.
The Languages and Cultures Network for Australian Universities (LCNAU) are holding their fifth biennial conference on the theme ‘Exchanges: People, Knowledge and Cultures‘ at the University of Western Australia on 27-29 November, 2019. The conference convenors, John Kinder and Nicola Fraschini, are now calling for submissions for papers. Click here for further information.
Despite Wellington being touted as the windiest city in the world, the elements were gentle on the 80 participants who flew in from across the world to take part in the 10th biennial ACIS Conference, Navigazioni possibili: Italies Lost and Found at Victoria University, Wellington, New Zealand. Many congratulations to Sally Hill and Claudia Bernardi for hosting a delightful, stimulating, and welcoming ACIS conference. It was a conference which witnessed several firsts: our first ACIS group photograph; our first traditional Maori pōwhiri at the Te Herenga Waka Marae on the university’s Kelburn campus; and the first ACIS keynote lecture delivered barefoot within a marae. Being greeted individually with the hongi set the tone for what was to follow – stimulating conversations, keynotes, and individual papers delivered in an atmosphere of great collegiality which demonstrated quite clearly that Italian Studies in Australasia are flourishing. It was also announced that ACIS 2021, the celebration of twenty years of ACIS’s foundation, will be held in the location of its inaugural conference at the Australian National University, Canberra and will be hosted by Susanna Scarparo and Josh Brown – watch this space.
ACIS is delighted to announce that Professorial Fellow Yasmin Haskell (foundation Cassamarca Chair in Latin Humanism) is returning to the University of Western Australia after two years at the University of Bristol, United Kingdom. In Bristol she was Chair of Latin in the Department of Classics and Ancient History and served as Director of the Institute of Greece, Rome and the Classical Tradition. Some highlights of her time in Europe were commissioning an historically-informed concert performance of the Viennese baroque Jesuit musical drama, Mulier Fortis (Strong Woman) in collaboration with her former UWA PhD student, Dr Makoto Harris Takao (Max Planck Institute for Human Development, Berlin); and several invited talks on Latin humanist topics, for instance at the Accademia Vivarium Novum (Frascati), European University Institute, Florence; University of Bologna; Catholic University of Milan; and most recently, to the Virgil Society, London. In November 2018 she gave the 39th annual Erasmus lecture at the Royal Academy of the Netherlands, Amsterdam, on ‘Erasmus and the Health of Scholars: Physical, Emotional, Spiritual’, and an associated masterclass for selected graduate students on ‘Passions for and of Learning in the Early Modern Period’. We wish Prof. Haskell a gentle landing on Australian soil, and look forward to hearing about her further activities in the coming year.
Bassrelief of San Martino on the Oratory of the Scuola of San Martino
Throughout most of the westernised world we have just celebrated the festival of Halloween. Each year many protest the intrusion of what they see as an Americanised festival into their indigenous traditions, and it did look a little anachronistic here in Venice to see Halloween paraphernalia in many shop windows. But now, barely a fortnight later, the windows are full of paraphernalia for a different and delightful festival here in the city, one with many similarities to Halloween in the ways in which it is celebrated by the children of Venice, but which is completely enmeshed in Venetian tradition. This is the Feast of San Martino, celebrated on 11 November for at least three centuries now.
Wandering along the banchette of one of Venice’s regular mercati antiquari the other day, my eye was caught by a lovely little tazza di caffé. Turning it over, I saw that it was by Ginori, and I felt a little pang that I couldn’t fork out the 40 euros that the stall owner wanted for it.
I started this year with some spinal surgery. The long recuperation which has followed has brought new resonance for me of the Italian concept of ‘Slow’, a concept first articulated by Carlo Petrini back in 1986 as a protest against fast food. Everything in the last two months for me has had to proceed at a slow pace, sometimes excruciatingly so. And yet being forced to take things slowly has proved not to be a bad thing overall. Therapists in rehab, kindly helping me to manage my pain levels, have inducted me into Mindfulness Therapy, which I have found very helpful. On reflection, I think that the principles of ‘mindfulness’ lie at the core of ‘slow’ – taking time to think, to observe, to reflect, and just to concentrate on the joys to be had in the simple. It has reminded me also of the first time I started to understand the broader principles of ‘slow’, on a stunning April day in Florence in 2011, in the extraordinary textile mecca that is the Casa dei Tessuti.