The Italianist 2018: Italian films, Peter Bondanella, Chris Wagstaff

The latest volume of The Italianist ( 2018, vol.38, no.2) is devoted to film. The first part opens with discussions of the relations – real, imagined, intended, inadvertent – between films and their audiences: the Fascist promotion of Italian fiction films in the US in the 1930s, and the creation of the once much-scorned but now revalued ‘casalinga di Voghera‘. A series of diverse analyses follows: the impact of the planned, begun but never completed films on the anni di piombo on the difficulties of representing 1970s Italy; the Dantean resonances in Pasolini’s Salò; Sorrentino’s aesthetic strategy in portraying Giulio Andreotti in Il Divo; and the interplay of aesthetics and politics in authorial interventions in recent documentaries. The second part is a celebration in many voices of the lives and works of Peter Bondanella and Chris Wagstaff, two leading scholars who have left large and enduring contributions to the analysis of Italian cinema.

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